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Source global Wall Street Journal     time 2022-01-14 21:59:17
Typefacelarge in Small

When Shakespeare died, in 1616, great literary productions attributed to him as author had been before the London world and in high favor for twenty-four years. Yet his death was not an event. It made no stir, it attracted no attention. Apparently his eminent literary contemporaries did not realize that a celebrated poet had passed from their midst. Perhaps they knew a play-actor of minor rank had disappeared, but did not regard him as the author of his Works. We are justified in assuming” this.

What would the captain of any sailing-vessel of our time say to that? He would say, The man that wrote that didn’t learn his trade out of a book, he has BEEN there!” But would this same captain be competent to sit in judgment upon Shakespeare’s seamanship — considering the changes in ships and ship-talk that have necessarily taken place, unrecorded, unremembered, and lost to history in the last three hundred years? It is my conviction that Shakespeare’s sailor-talk would be Choctaw to him. For instance — from The Tempest”:

The ESSAYS contain abundant proofs that no nice feature of character, no peculiarity in the ordering of a house, a garden, or a court-masque, could escape the notice of one whose mind was capable of taking in the whole world of knowledge.


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